Boy Friend :: Lovedropper
View the Original article
Indie Music News From all Over!
Boy Friend :: Lovedropper
mp3:
Toro y Moi :: Made in Bed mix (51 mb)
Toro y Moi :: Made in Bed mix
A First Class Dub – King Tubby
Come Live With Me – Dorothy Ashby
Part Version 8 – Piero Piccioni
Pealed Tomato – Chorafas
It’s Choade My Dear – Connan Mockasin
Mariangela e la Seduzione – Ennio Morricone
Show Me To The Window- Robert Lester Folsom
Chi Mi Cerchera – Enrico Simonetti with Goblin
Was It All In Vain – Bixio Frizzi Tempura
Rainbow Ride – Kathy McCord
O Sabia – Les Wanted
Clay Horses – Julian Lynch
Son Lux – Rising
I first wrote about Son Lux, the project of prodigious Ryan Lott, about a year ago. He had just released a new EP called Weapons, and I was struck by the depth of his sound. Part-classical, part-electronica, and part-rock, the most apt comparison I could think of was Ryuichi Sakamoto; he is one of the best examples of fusing the classical and electronic genres, doing so in a way that remains infectious without removing the intricate genius of classical works. Sakamoto began much like Lott, toying with a fairly straightforward form of electronic-pop that later grow to incorporate a variety of styles. Sakamoto later won an Academy Award and is now inarguably considered one of the forerunners of electronic music, but not before struggles.
Despite being impressive, Weapons showcased struggles that come natural to an ambitious songwriter like Sakamoto or Lott. It was apparent that his vocals were hidden behind instrumentation for a reason; he had little confidence in the melodic ability and incorporation of his voice, even as the instrumentation was sweeping and powerful. His technical prowess was hard to argue against, as was the exhilarating whirlwind that best defined his structural tendencies, but he had yet to fully capture the element of pop music that was yearning to be incorporated. Lott’s new album, We Are Rising, is equivalent to Sakamoto’s Left Handed Dream, the first instance of his true vision as a solo artist. It is a majestic, staggering release that finds Lott crafting a sound that is wholly unique but also expected considering the breathtaking potential demonstrated on his past releases.
A review of the album is forthcoming, but in the meantime lead track
pair considerable musical talents from disparate backgrounds
View the Original article
“Into The Valley (YACHT Remix)”
View the Original article
“Forget Me Not (Sundance remix)”
View the Original article
Acting as composer, arranger, producer, & engineer, Van Pelt here shows more of an electronic side than on his 2007 Polaris Prize-nominated debut Five Roses, which was a fan & industry favorite, gaining critical acclaim from several tastemakers. Was I The Wave? expresses themes of alienation, anonymity, & the desire for intimacy, with the 1st side keeping a deliberately crowded atmosphere, & the 2nd side more open & personal. In support of his upcoming release, has released a Pantha du Prince remix of first single “Raw Spectacle” as a free download.
“Raw Spectacle (Pantha du Prince remix)”
View the Original article